In the original edit of this video, the sequence would be comprised of dozens of clip segments. Converting a 16:9 source into 9:16 output.įrom a project creation perspective, this is a very simple example. On my HP Zbook notebook, Auto Reframe generated them all in under ten seconds.įigure 1. There are about 156 keyframes in this 62-second segment if it took you a conservative 30 seconds per keyframe, it would take you well over an hour to position and insert them. The blue dots in the middle of the frame are the keyframes used to keep the relevant action within the output window. The bounding box around the visible frame is the 16x9 input source. In the Program monitor, the 9:16 window showing the singer is the visible component that will be output with the video. It’s an extreme case, but it illustrates the problem. The video was shot in 16:9, but I’m producing it in 9:16, say for Snapchat or Instagram. This shows Premiere Pro’s Program monitor previewing a 9x16 video of the opening sequence of Dua Lipa's "New Rules" video that I downloaded from YouTube, which walks the singer through a gauntlet of rooms, hallways, and girlfriends seemingly in one long continuous shot. While outputting your 1080p or 4K source to these requirements is straightforward, making sure the most relevant content from your widescreen video is effectively presented in those non-traditional outputs can be a time-consuming challenge.įigure 1 illustrates this problem. If you produce for social media, however, you have an array of aspect ratios and resolutions to deliver, including 9:16, 1:1, 4:5, and many others in a variety of platform-specific resolutions. If you produce video for traditional video outlets, it’s pretty much a 16:p world.
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